Comedian! A Hilarious Pre-Code romp filled with musical numbers and social satire

Delving into the cinematic treasures of 1932, one encounters a delightful gem known as Comedian – a pre-code comedy brimming with sharp wit, infectious musical numbers, and a subtle yet potent undercurrent of social satire. Released at a time when Hollywood was still navigating the treacherous waters of censorship, Comedian dared to push boundaries, poking fun at societal conventions and offering a refreshingly frank portrayal of ambition, romance, and the fickle nature of fame.

The film stars Zeppo Marx, the oft-overlooked member of the legendary Marx Brothers, in his most substantial leading role outside of their collaborative comedic escapades. Zeppo portrays “Franklyn”, an aspiring stage actor who lands a gig as a comedian in a vaudeville act. He yearns for theatrical stardom and dreams of becoming the next big thing on Broadway. Franklyn’s journey is punctuated by hilarious misadventures, awkward romantic encounters, and the ever-present pressure to deliver side-splitting laughter.

Zeppo’s performance showcases his charming persona and surprisingly adept comedic timing. Unlike his brothers, whose humor often leaned towards absurdity and physical gags, Zeppo brings a gentle, almost melancholic touch to Franklyn. His longing for recognition and his struggle to reconcile his dreams with the realities of the entertainment industry add an unexpected layer of depth to the film’s otherwise lighthearted tone.

The supporting cast is equally delightful. Ruth Chatterton, known for her strong-willed, independent female characters, portrays “Fay Winthrop”, a Broadway star who initially scoffs at Franklyn’s naivete but eventually becomes his love interest. The dynamic between Zeppo and Chatterton crackles with both humor and genuine romantic tension.

Rounding out the ensemble is a cast of veteran character actors: Edward Everett Horton as the perpetually flustered stage manager, Robert McWade as the ambitious producer constantly seeking the next big hit, and Una Merkel as the witty and charming chorus girl who catches Franklyn’s eye. Their performances contribute to the film’s vibrant atmosphere and inject it with an undeniable sense of theatrical flair.

Musical Interludes and Thematic Depth

Comedian seamlessly integrates musical numbers into its narrative, showcasing the energy and exuberance of early talkies. The songs are catchy and well-performed, ranging from upbeat comedy tunes to heartfelt ballads that underscore Franklyn’s longing for love and acceptance.

Beyond its comedic surface, Comedian explores themes of ambition, social class, and the pursuit of dreams in a rapidly changing world. Franklyn’s journey reflects the anxieties and aspirations of many young people during the Great Depression – a time when traditional values were being challenged and new opportunities beckoned.

The film’s pre-code status allows it to address these themes with a frankness that was rare for its time.

It doesn’t shy away from depicting the harsh realities of show business, the cutthroat competition among performers, and the potential pitfalls of fame.

Lasting Legacy

While Comedian may not be as widely recognized as some of Zeppo Marx’s collaborations with his brothers, it stands as a testament to his individual talent and charm. The film offers a delightful blend of comedy, music, and social commentary that continues to resonate with audiences today. Its pre-code sensibilities provide a fascinating glimpse into the changing social landscape of 1930s America.

For those seeking a lighthearted yet thought-provoking cinematic experience, Comedian is a hidden gem worth discovering.